De Sica believed that the one role everyone could play perfectly is that of themselves. Italian Neo-Realism is a film style characterized by stories and themes set amongst the poor and working class, filmed on location, frequently using non-professional actors. Unfortunately one of the reasons behind the films popularity is that even now- 63 years later- its a still a situation that resonates in todays society. If he doesnt retrieve his bike he loses his job and wont be able to support his family. Set against the back drop of a post war, poverty stricken Italy, the film is as important as any other which present a struggle for survival. Its a simple story, but its the simplicity of it that make The Bicycle Thieves such a gripping drama. Together with his young son Bruno ( Enzo Staiola), they set off through the streets of Rome in search of the bike. The film follows Antonio Ricci (played by Lamberto Maggiorani) who finally gets a job delivering cinema posters only to have it threatened when a thief steals his bicycle. The Bicycle Thieves (or The Bicycle Thief as it is known in the US), for those who are not too familiar, was directed by Victorio De Sica and is often regarded as one the best foreign language films ever made and perhaps the greatest film to come out of the Italian Neo-Realism movement.
BICYCLE THIEF MOVIE MOVIE
GradeSaver, 7 November 2018 Web.Currently leaving theatres is A Better Life, the latest movie from director Chris Weitz, the man who brought us American Pie and Twilight: New Moon and tells the tale of a father who struggles to do whats right by his son and search for a stolen truck, is a loose remake of the classic 1948 Italian movie The Bicycle Thieves.
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Next Section Director's Influence Previous Section Character List Buy Study Guide How To Cite in MLA Format Delaney, Darby. In addition to Bicycle Thieves, he had supporting roles in Campane a martello (1949) starring Gina Lollobrigida and The Affairs of Messalina (1951). Gino Saltamerenda had a short yet productive career. I need you.” Carell acted for about 10 years, followed by a fruitful screenwriting career, with credits including Love and Trouble (1958) starring Marcello Mastroianni and Carnal Circuit (1969) starring Dorothy Malone. Carell asserted that she was not an actress, but De Sica said, “The cinema needs you, your face. Carell was a young journalist set to interview De Sica, who insisted that she take a screen test for the role of Maria.
Like Staiola, Lianella Carell was fortuitously cast for her immediate visual appearance by De Sica.
He appeared in some other films, namely The Barefoot Contessa (1954) starring Humphrey Bogart and Ava Gardner, but he became a math teacher in adulthood.
Once Staiola arrived at the auditions, De Sica said, “He’s the one,” and Staiola received the part without ever having to audition. De Sica was the one following Staolia, and he purposely set up auditions for the role of Bruno near Staolia’s house. He ran away because the city was dangerous at the time and child kidnapping rates were high. In an interview with the Criterion Collection, Enzo Staolia remarked that a car followed him around Rome when he was a young boy. His performance in The Bicycle Thieves catalyzed Maggiorani’s career, and he went on to star in several Italian films, although these roles never matched the success of his celebrated role as Antonio. He was a factory worker personally chosen by De Sica because his physique-a tall, angular frame and sunken cheekbones-evoked the disposition of an ordinary, unsophisticated man and thereby made him an ideal choice for Antonio.
BICYCLE THIEF MOVIE PROFESSIONAL
Like many of the cast members of Bicycle Thieves, Lamberto Maggiorani was not a professional actor.
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